Photography Detail of the Ruins of the Eastern Gate to the Xianfa Hill in the Old Summer Palace
Photography Detail of the Ruins of the Eastern Gate to the Xianfa Hill in the Old Summer Palace
CC BY-SA 4.0
A black-and-white photograph: close-up of the ruins of the East Gate at Xianfa Hill (Xianfashan 線法山) in the part of the Old Summer Palace (Yuanmingyuan 圓明園) in Beijing called the “European Pavilions” (Xiyanglou 西洋楼). It was designed by the Jesuit Giuseppe Castiglione (1688–1766). An expression of heaven on earth, the Old Summer Palace housed thousands of priceless treasures and works of art. Its beauty was known even beyond China. This part of the Summer Palace is the greatest expression of the interest of Emperor Qianlong (reigned 1735–1796) in Western art. The pavilions, along with the rest of the Summer Palace, were destroyed by English and French troops in 1860 during the Second Opium War.
The photograph is the 334th of 449 photographs of Beijing and its surroundings in the album of Ivan Skušek Jr., purchased during his stay in Beijing (1914–1920). In the handwritten inventory of the album, the photograph is referred to as Yüen-Ming-Yüen: ... more
A black-and-white photograph: close-up of the ruins of the East Gate at Xianfa Hill (Xianfashan 線法山) in the part of the Old Summer Palace (Yuanmingyuan 圓明園) in Beijing called the “European Pavilions” (Xiyanglou 西洋楼). It was designed by the Jesuit Giuseppe Castiglione (1688–1766). An expression of heaven on earth, the Old Summer Palace housed thousands of priceless treasures and works of art. Its beauty was known even beyond China. This part of the Summer Palace is the greatest expression of the interest of Emperor Qianlong (reigned 1735–1796) in Western art. The pavilions, along with the rest of the Summer Palace, were destroyed by English and French troops in 1860 during the Second Opium War.
The photograph is the 334th of 449 photographs of Beijing and its surroundings in the album of Ivan Skušek Jr., purchased during his stay in Beijing (1914–1920). In the handwritten inventory of the album, the photograph is referred to as Yüen-Ming-Yüen: Detail von Nr. 336. (DZ, MV)
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