Chinese lutepipa

Chinese lutepipa

©

Chinese lutepipa

©

Chinese lutepipa

©

A Chinese lute, or pipa 琵琶 from Ivan Skušek’s collection. The Chinese lute is the queen of Chinese folk music and the leader among stringed instruments. From the Qin Dynasty (221–207 B.C.) to the Tang Dynasty (618–907), the term pipa is said to have been used as a generic term for both domestic and foreign plucked string instruments. According to documents from the Eastern Han Dynasty (A.D. 25–220), the meaning of the word pipa derives from the playing technique, where pi refers to the forward movement of the fingers of the right hand and pa to their backward movement. The lute has a short neck and a wooden pear-shaped body, sometimes with two crescent-shaped sound holes, and 12 to 26 frets. This pipa is well preserved and maintained. The strings are probably replacements. It is ornately designed, in a combination of wood and ivory, with a (fu 蝠) wooden motif on the head and a shou 壽 symbol: the former ... more

A Chinese lute, or pipa 琵琶 from Ivan Skušek’s collection. The Chinese lute is the queen of Chinese folk music and the leader among stringed instruments. From the Qin Dynasty (221–207 B.C.) to the Tang Dynasty (618–907), the term pipa is said to have been used as a generic term for both domestic and foreign plucked string instruments. According to documents from the Eastern Han Dynasty (A.D. 25–220), the meaning of the word pipa derives from the playing technique, where pi refers to the forward movement of the fingers of the right hand and pa to their backward movement. The lute has a short neck and a wooden pear-shaped body, sometimes with two crescent-shaped sound holes, and 12 to 26 frets. This pipa is well preserved and maintained. The strings are probably replacements. It is ornately designed, in a combination of wood and ivory, with a (fu 蝠) wooden motif on the head and a shou 壽 symbol: the former symbolises luck and joy, the other longevity. (KH)

Manufacturing technique: processed wood and ivory
Dimensions: height of the neck: 17 cm, height of the body: 4 cm, width: 24 cm, length: 92 cm
No. of parts: 1
Current owner: Slovene Ethnographic Museum
Date of the last acquisition: 1963
Previous owners and periods of ownership: Ivan Skušek , Jr. and Tsuneko Kondō Kawase - Marija Skušek, National Museum of Slovenia, Slovene Ethnographic Museum
Object condition, handling and damage: well preserved
Press releases: HRVATIN, Klara. 2020. "Zbirateljska kultura in razstave vzhodnoazijskih glasbil na Slovenskem: Identifikacija glasbil iz Skuškove zbirke" [Collection Culture and Exhibitions of East Asian Musical Instruments in Slovenia: Identification of Musical Instruments]. Ars & Humanitas 14(2), 119–135. https://doi.org/10.4312/ars.14.2.119-135

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