Photography Ruins of the Empress’s palace in the Old Summer Palace
Photography Ruins of the Empress’s palace in the Old Summer Palace
CC BY-SA 4.0
A black-and-white photograph: side view of the ruins of the Empress Palace (Haiyantang 海晏堂) in the part of the Old Summer Palace (Yuanmingyuan 圓明園) in Beijing called the “European Pavilions” (Xiyanglou 西洋楼). It was designed and built by the Jesuits in the European Baroque style. The construction was led by the Jesuit Giuseppe Castiglione (1688–1766). As an expression of heaven on earth, the Old Summer Palace housed thousands of priceless treasures and works of art. Its beauty was known even beyond China. This part of the Summer Palace is the greatest expression of the interest of Emperor Qianlong (reigned 1735–1796) in Western art. The pavilions were destroyed by English and French troops together with the rest of the summer palace in 1860 during the Second Opium War.
The photograph is the 356th of 449 photographs of Beijing and its surroundings in the album of Ivan Skušek Jr., purchased during his stay in Beijing (1914–1920). In the handwritten ... more
A black-and-white photograph: side view of the ruins of the Empress Palace (Haiyantang 海晏堂) in the part of the Old Summer Palace (Yuanmingyuan 圓明園) in Beijing called the “European Pavilions” (Xiyanglou 西洋楼). It was designed and built by the Jesuits in the European Baroque style. The construction was led by the Jesuit Giuseppe Castiglione (1688–1766). As an expression of heaven on earth, the Old Summer Palace housed thousands of priceless treasures and works of art. Its beauty was known even beyond China. This part of the Summer Palace is the greatest expression of the interest of Emperor Qianlong (reigned 1735–1796) in Western art. The pavilions were destroyed by English and French troops together with the rest of the summer palace in 1860 during the Second Opium War.
The photograph is the 356th of 449 photographs of Beijing and its surroundings in the album of Ivan Skušek Jr., purchased during his stay in Beijing (1914–1920). In the handwritten inventory of the album, the photograph is referred to as Yüen-Ming-Yüen: Nr. 353 gegenwärtig. (DZ, MV)
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