Photography Copper Etching on Paper– Roman Plates in the Old Summer Palace
A black-and-white photograph showing a printed image of Roman plaques on the façade of the Guanshuifa Fountain 觀水法 in the area of the Old Summer Palace (Yuanmingyuan 圓明園) in Beijing, called the “European Pavilions” (Xiyanglou 西洋楼). It was designed by the Jesuit Giuseppe Castiglione (1688–1766).
It is one of a series of twenty copperplate engravings commissioned in 1783 by Emperor Qianlong (reigned 1735–1796) and printed three years later. The engravings, collected in Twenty Views of European Pavilions in the Old Summer Palace, were designed and probably produced by the court artist and Castiglione’s pupil Yi Lantai 伊兰泰 (1749–1786). The inscription in the upper left-hand corner states that it is the sixteenth image in the album, showing the front façade of the Guanshuifa Fountain 觀水法.
The copperplates are an important pictorial record of the European pavilions in the Old Summer Palace, which were the greatest expression ... more
A black-and-white photograph showing a printed image of Roman plaques on the façade of the Guanshuifa Fountain 觀水法 in the area of the Old Summer Palace (Yuanmingyuan 圓明園) in Beijing, called the “European Pavilions” (Xiyanglou 西洋楼). It was designed by the Jesuit Giuseppe Castiglione (1688–1766).
It is one of a series of twenty copperplate engravings commissioned in 1783 by Emperor Qianlong (reigned 1735–1796) and printed three years later. The engravings, collected in Twenty Views of European Pavilions in the Old Summer Palace, were designed and probably produced by the court artist and Castiglione’s pupil Yi Lantai 伊兰泰 (1749–1786). The inscription in the upper left-hand corner states that it is the sixteenth image in the album, showing the front façade of the Guanshuifa Fountain 觀水法.
The copperplates are an important pictorial record of the European pavilions in the Old Summer Palace, which were the greatest expression of Emperor Qianlong’s interest in European art. The pavilion, along with the rest of the Summer Palace, was destroyed by English and French troops in 1860 during the Second Opium War.
The photograph is the 339th of 449 photographs of Beijing and its surroundings in the album of Ivan Skušek Jr., purchased during his stay in Beijing (1914–1920). In the handwritten inventory of the album, the photograph is referred to as Yüen-Ming-Yüen: Römische Tafeln (nach orig. Bild) . (DZ, MV)
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