Chinese dulcimer yangqin – hudie qin

Gg0004 Kitajske Cimbale Yangqin 01 Scaled 1
Chinese dulcimer yangqin – hudie qin

©

Gg0004 Kitajske Cimbale Yangqin 02 Scaled 1
Chinese dulcimer yangqin – hudie qin

©

Gg0004 Kitajske Cimbale Yangqin 01 Scaled 1
Gg0004 Kitajske Cimbale Yangqin 02 Scaled 1

A Chinese yangqin 揚琴 dulcimer. This instrument evolved from the Persian santur, which was introduced to southern China in the late Ming Dynasty and then spread throughout southern, central and eastern China. The yangqin dulcimer has two rows of bridges over which the strings are spanned, and is played with two bamboo sticks (missing here) whose head is made of rubber or leather. It is decorated with ivory parts, has two resonance holes carved from ivory, and is housed in an ornately crafted lacquered box. On the lid is an elaborate motif – a painting of the eight Daoist immortals and their symbols. Older types of Chinese dulcimers, hudie qin 蝴蝶琴or butterfly-shaped dulcimers, are still ocassionally to be heard, especially in the traditional sizhu 絲竹 music from the Shanghai region. (KH)

Material description: wood, ivory
Manufacturing technique: processed wood, carved ivory, gold painting, lacquer
Dimensions: height: 11.5, width: 75.5 cm, length: 30 cm
No. of parts: 1
Current owner: Slovene Ethnographic Museum
Date of the last acquisition: 1963
Previous owners and periods of ownership: Ivan Skušek , Jr. and Tsuneko Kondō Kawase - Marija Skušek, National Museum of Slovenia, Slovene Ethnographic Museum
Object condition, handling and damage: The sticks for playing the instrument are missing. The strings are not in the best condition, some are missing or damaged. There are visible cracks in the wood of the body of the instrument.
Press releases: HRVATIN, Klara. 2020. "Zbirateljska kultura in razstave vzhodnoazijskih glasbil na Slovenskem: Identifikacija glasbil iz Skuškove zbirke" [Collection Culture and Exhibitions of East Asian Musical Instruments in Slovenia: Identification of Musical Instruments]. Ars & Humanitas 14(2), 119–135. https://doi.org/10.4312/ars.14.2.119-135

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