Painting Playing an instrument

Painting Playing an instrument

CC BY-SA 4.0

CC BY-SA 4.0 europeana.eu

The first picture from an album of Chinese paintings of the everyday lives of court ladies, showing them playing instruments in a house from which a circular door leads to an outdoor garden. There are inscriptions on the two pillars inside the house, treating of joy and delight, which, together with the fragrant scents of the garden, add to the feeling of well-being.

These kinds of paintings depicting various aspects of Chinese society were very popular with foreign tourists. When Western European countries forced China to open its ports and trade more freely after the Opium Wars in the mid-19th century, the number of people of different professions (soldiers, sailors, merchants, missionaries and travellers) visiting these places increased. Travel became more affordable and opened the door to members of the middle class, who increasingly felt the need to buy souvenirs and other items to take home when they returned. Artists in Canton had a centuries-old tradition of producing ... more

The first picture from an album of Chinese paintings of the everyday lives of court ladies, showing them playing instruments in a house from which a circular door leads to an outdoor garden. There are inscriptions on the two pillars inside the house, treating of joy and delight, which, together with the fragrant scents of the garden, add to the feeling of well-being.

These kinds of paintings depicting various aspects of Chinese society were very popular with foreign tourists. When Western European countries forced China to open its ports and trade more freely after the Opium Wars in the mid-19th century, the number of people of different professions (soldiers, sailors, merchants, missionaries and travellers) visiting these places increased. Travel became more affordable and opened the door to members of the middle class, who increasingly felt the need to buy souvenirs and other items to take home when they returned. Artists in Canton had a centuries-old tradition of producing artwork for the Western market, such as paintings on canvas and paper and a variety of glass and ivory products, but these were more expensive to produce and therefore could only be purchased by wealthier ship captains and merchants. Cheaper souvenirs were needed, and these smaller paintings on paper of the native tongcao 通草 tree (Tetrapanax papyrifer) proved to be a successful combination of affordable yet attractive souvenirs of various aspects of Chinese society. (NVS)

Place of manufacture: Canton (Guangdong 廣東 )
Material description: paper from Tetrapanex papyrifera (tongcao 通草) tree, silk
Manufacturing technique: gouache, watercolour
Dimensions: height: 26 cm, length: 37 cm
Inscription: 滿苑花香多樂趣. 半簾風月足怡情. Man yuan hua xiang duo lequ. Ban lian fengyue zu yi qing. (Full of joy and delight beside a rich garden of blooming fragrances. Under the half-opened curtain, contemplating the scene, feelings of happiness arise.)
No. of parts: the first of twelve paintings
Current owner: Slovene Ethnographic Museum
Date of the last acquisition: 1963
Last acquisition method: donation
Previous owners and periods of ownership: Ivan Skušek, Jr. and Tsuneko Kondō Kawase - Marija Skušek, National Museum of Slovenia, Slovene Ethnographic Museum
Object condition, handling and damage: The edges of the sheet are slightly torn, the painting is also partially damaged.
History of exhibition: Slovene Ethnographic Museum, Ljubljana, 31. 8. 2006–3. 9. 2007 (exhibition Srečevanja s Kitajsko: 200 let slovenskih odkrivanj kitajske kulture [Encounters with China: 200 years of Slovenian discovery of Chinese culture])

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