Photography The Southeastern Fort of the Inner City
A black-and-white photograph showing the area outside the city walls of Beijing, known as the Outer City 外城). In the foreground is a three-part arch bridge, called the “Bridge of Water Spirits” in the manual photo inventory. To its left is a farming settlement. In the background is the southeastern fort on the city wall. This part of the wall dates back to the Ming Dynasty (1368–1644). After 1911, the fortifications were gradually demolished. Thus, this section of the wall and the fort are one of the few parts of the old city wall that remain today. Together with the section of the city wall next to Chongwen Gate (Chongwenmen 崇文門), they now form the Ming Dynasty City Wall Remains Park (Beijing Ming Chengqiang Yizhi Gongyuan 北京明城牆遺址公園), which was completely renovated in 2004. In the distance, the outline of the Dongbian City Gate (Dongbianmen 東便門) can be seen, on the left-hand part of the southern wall.
The photograph is the 102nd ... more
A black-and-white photograph showing the area outside the city walls of Beijing, known as the Outer City 外城). In the foreground is a three-part arch bridge, called the “Bridge of Water Spirits” in the manual photo inventory. To its left is a farming settlement. In the background is the southeastern fort on the city wall. This part of the wall dates back to the Ming Dynasty (1368–1644). After 1911, the fortifications were gradually demolished. Thus, this section of the wall and the fort are one of the few parts of the old city wall that remain today. Together with the section of the city wall next to Chongwen Gate (Chongwenmen 崇文門), they now form the Ming Dynasty City Wall Remains Park (Beijing Ming Chengqiang Yizhi Gongyuan 北京明城牆遺址公園), which was completely renovated in 2004. In the distance, the outline of the Dongbian City Gate (Dongbianmen 東便門) can be seen, on the left-hand part of the southern wall.
The photograph is the 102nd of 449 photographs of Beijing and its surroundings in the album of Ivan Skušek Jr., purchased during his stay in Beijing (1914–1920). In the handwritten inventory of the album, the photograph is referred to as Eckturm der Tatarenstadt (Südost). (DZ, MV)
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